A Jose Luis Garci cares little institutional and media silence on the centenary of Miguel Mihura. has repeatedly demonstrated its independence and does what comes out of the camera. Fits with taste and tact Benito Pérez Galdós - "El Abuelo" - and Michael Mihura - "Ninette" - without considering the disparate ideologies of both. The prejudices of the critics will not influence too: almost laughed at him when "The Crack" chose starring Alfredo Landa, until then typecast in roles of male Iberian . Something similar happened with Lydia Bosch "You're The One" , and now history is repeated in "Ninette" with Elsa Pataky.
"Ninette" is a great adaptation of the works and a Lord Ninette de Murcia "and" Ninette, Fashion in Paris. " The leading roles are played by Goddess and Carlos Hipólito . Elsie De (close in my dreams) not write because, like you should not drive under the influence of alcohol, nor is unacceptable to the vision of an actress when you are dazzled. Placed the critical sackcloth, let's Carlos Hipólito. Neither like nor dislike me this time. I think a great actor, but I prefer dramatic roles. I think goddess is much more ... Glup! I almost forgot that I promised not to speak of Elsi.
between "the rest"-refer as well to such a great group of players deserves as a punishment at least a couple of minutes of "The Martian Chronicles" - highlights Enrique Villar, possibly in his best performance so far. Produces laughter with just looking at him and no one knows what percentage of his performance and his strabismus. In any case, Villa is unsurpassed.
On the technical front overhangs Ricardo Navarrete all , hardened cameraman thousand films, director's usual and returns to make the cut. With such a teacher is easier to understand that Garci not look at the 'combo' after each shot. Now Navarrete Do I need to film a Elsi ? Juanpi can answer this question with knowledge of the facts, but in my opinion, had "earned" anyone with a Handycam . The greatest difficulty lies in not faint.
Finally, the soundtrack is poor and gives fuel (once again) the rumor of a supposed lack of freedom of the composers Garci. Many think that his films speak for themselves without music and they may be right. On the contrary, the director seems to ponder this resource increasingly post-production, since they no longer inserted himself and classical music has begun a promising relationship with Pablo Cervantes . Hopefully the next film contains more minutes of music.
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